Market Overview

Two Free Upcoming Film Events: Toledo Symphony and UT Partner to Present Rare Film Screenings

Share:

As part of their "Devil's Bargain" lecture, music and film series, the Toledo Symphony and the University of Toledo College of Visual and Performing Arts present Czech animator Jan Svankmejer's Faust (October 26) and David Lynch's Inland Empire (November 2). Both events are free.

Toledo, OH (PRWEB) October 25, 2012

The University of Toledo College of Visual and Performing Arts and the Toledo Symphony have partnered to present a fascinating and diverse series of events in October and November of 2012. Just in time for Halloween, the series is called "The Devil's Bargain" and covers topics such as the Faustian bargain, representations of evil in film music and much more. All themes are inspired by the symphony's performance of Stravinsky's A Soldier's Tale in mid-November.

Two events feature rarely seen films by Jan Svankmejer and David Lynch.

Jan Svankmejer is an influential Czech animator, whose work has influenced the development of stop-motion and surrealist animation throughout the world. His Faust (1994) combines elements of live and stop-motion animation with puppetry and claymation. The retelling of the Faust story is not literal, but a fusion of the many versions of the Faust myth dealing with selling ones soul to the devil. Svankmejer's approach is at the same time humorous and grotesque.

This event takes place on October 28 at 7PM at the UT Center for Visual Arts Haigh Auditorium on the Toledo Museum campus. Tammy Kinsey of UT's department of Theatre and Film will introduce the film and provide context.

Filmmaker David Lynch is widely respected for his distinct surrealist approach to film. Like Svankmejer, he often tackles dark subject matter. On November 2nd, his critically-acclaimed Inland Empire (2006) will be screened as part of the series. A mystery with plenty of plot twists, the film features music by composer Krzysztof Penderecki, whose work will be performed by the TSO in November.

Film scholar and UT professor Jeanne Kusina will introduce the film and address its "aesthetics of evil" in relation to the film score. Mr. Lynch personally gave UT and the symphony permission to screen the film.

This arts and humanities collaboration is the second of its kind between the symphony and the university. All pre-concert events are open to the public and are free of charge. In addition to the two film screenings, historical lectures at UT's charming LIbbey hall help complete the series.

The Toledo Symphony's performance of A Soldier's Tale features the full theatrical version of the work. Cornel Gabara (of the symphony's Carnegie Hall program and the Glacity Theatre Collective) will direct the production about a young man who makes a pact with the devil. Michael Lang, Artistic Director of the Toledo Ballet, will choreograph.

Tickets for the Toledo Symphony "A Soldier's Tale” concert start at $15 and can be purchased by calling 419-246-8000 or visiting http://www.ToledoSymphony.com. All other events are free.

FILM EVENTS

Friday, Oct. 26th, 7 pm
Haigh auditorium, Center for Visual Arts, 620 Grove Place
Tammy Kinsey: UT Department of Theatre/Film
Jan Svankmajer's Faust: A New Take on an Old Text
Czech animator Jan Svankmajer presents a unique interpretation of the centuries-old narrative in his award-winning Faust (1994), a surrealistic synthesis of images and references to Marlowe, Goethe, and various traditional folktales. Comprised of live-action, claymation, puppetry, and stop-motion animation, the film blends bits of traditional content with an exciting visual tableau to create a wildly evocative tale of human desire and the price of will.

Friday, Nov. 2nd, 7 pm
Haigh auditorium, Center for Visual Arts, 620 Grove Place
Dr. Jeanne Kusina: UT Departments of Philosophy and WGST
Scoring Evil: Penderecki and Lynch's “Inland Empire”
Director David Lynch has graciously granted permission for this rare public screening and discussion of “Inland Empire.” The story of an actress who enters into a terrifying psychological underworld as she increasingly identifies with the character she portrays, this challenging film can be described as a lurid, surreal journey down the rabbit hole. Film scholar Jeanne Kusina will introduce the work with a presentation on the film's musical score, which features work by Polish composer Krzysztof Penderecki,whose early avant-garde music has been featured in a number of films as a means to evoking unspeakable horror. Employing transcendental visual imagery and aural effects, “Inland Empire” provides a unique passageway into a chilling, at times haunting, consideration of the aesthetics of evil.

LECTURE EVENTS

Tuesday, Oct. 30th, Libbey Hall, 7 pm
Libbey Hall, UT main campus
Dr. Edmund B. Lingan: UT Department of Theatre/Film
Fighting and Embracing Evil Empires: Goethe's Egmont and Faust
Just in time for Halloween, theatre historian and critic Dr. Edmund B. Lingan will invoke demonic realms and legends of a primordial occult religion in this exploration of two of Goethe's plays, Egmont and Faust Part I. Lingan will show that these plays intuit the existence of a complex and disturbing realm of spirits, demons, and deities.

Tuesday, Nov. 6th, Libbey Hall, 7 pm
Libbey Hall, UT main campus
UT Department of English
Dr. Daniel Compora: The Faustian Bargain and Other Devilish Deals
This lecture will explore different folk variations of the Faustian bargain; the selling of one's soul to the devil. The theme is prevalent in Western culture, and a number of people in literature and music have allegedly entered into such pacts. In particular, the legend of blues musician Robert Johnson and his deal at the Crossroads will be examined.

Tuesday, Nov. 13th, Libbey Hall, 7 pm
Libbey Hall, UT main campus
Dr. Christopher Williams: UT Department of Music
Recruiting the Folk: Verbunkos, Gypsies, and Temptation in Stravinsky's Soldier's Tale
Although Igor Stravinsky frequently boasted of the originality of his music, some of the most radical features of his style remain rooted in Eastern European and Russian folk music traditions. This is as true for his Russian folk tale with music, The Soldier's Tale, as it is for the more obviously revolutionary Rite of Spring. This talk will place The Soldier's Tale in a broader context of Stravinsky's connections to folk music, rural recruitment and military culture on the Russian/Austrian border, and stories of diabolic temptation.

For the original version on PRWeb visit: http://www.prweb.com/releases/prweb2012/10/prweb10057157.htm

View Comments and Join the Discussion!