Optimus and ONE at Optimus Leverage Cutting-Edge Cameras to Film and Cut NAPA Spot with 426 Inc.
Optimus and ONE at Optimus recently teamed with 426 Inc. to direct, edit and finish a spot for the National Auto Parts Association (NAPA) website. ‘The Art of Braking' – directed by ONE at Optimus Director Mark Pallman and cut by Optimus Editor Jim Staskauskas – leverages 22 ReplayXD cameras mounted at various points on a Ford Mustang and a Ford 4 x 4 in action to capture the power and responsiveness of Reactive One™ performance brake rotors, sold at NAPA.
“The NAPA spot is a great example of the benefits of working with an integrated production house such as Optimus,” said ONE at Optimus Executive Producer Kipp Christiansen. “Our production and post teams were on set to ideate and execute with 426 Inc., allowing for creative collaboration and streamlined communication throughout the entire process. Moreover, we were very impressed by the performance of the ReplayXD cameras and their incredibly nimble and sturdy mounts, which allowed us to capture angles and stabilized footage that we could not have gotten with other cameras. We were able to supplement the provocative camera angles with narrative, including close-ups of the driver getting into the car and the installation of the brake rotors.”
In the spot, stunt driver and National Hot Rod Association (NHRA) Funny Car driver Jon Capps maneuvers a car armed with Reactive One Performance brakes at speeds north of 90 mph. He gives the brakes a run for their money, and they perform beautifully. At the end of the spot, we see that Capps has spelled out “One” in skid marks, effectively creating a piece of art using a rotor, rubber and asphalt.
“With deep experience in automotive, 426 Inc. has a comprehensive network of partners in the industry,” said 426 Inc. CEO Robbie Vasquez. “We were able to bring in the perfect group of experts – from driver Jon Capps to the teams at ReplayXD and Optimus and ONE at Optimus – to create a memorable, exciting spot that's a leader in its category.”
With all the cameras – mounted everywhere from the wheel wells to the gas and brake pedals to the gear shift to the driver's helmet – Optimus had 30 hours of footage to from which to cut the 60-second spot. “The ReplayXD cameras provided us with amazing angles and incredibly high quality pictures, as they are small enough to be mounted almost anywhere and they hold up in the most extreme conditions,” commented Staskauskas, who has significant experience cutting high action, high speed work. “We even put one on a remote control helicopter for aerial shots. The result is a beautiful spot highlighting all the best angles from the shoot.”
|Full credits follow:|
|Drew Wehde||Director of Photography|
ONE at Optimus
|Kipp Christiansen||Executive Producer|
|Craig Leffel||Director of Production|
|Therese Hunsberger||EP/Managing Director|
|Gretchen Praeger||EP/Managing Director|
|Katie Smith||Sr. Associate Producer|
|Dan Swierenga||Asst. Editor|
|Jeff Greco||Asst. Colorist|
|Marina Bacci||Sound Designer|
|Scott Yurks||Online Editor|
|Matt Bregger||Online Asst. Editor|
|Robbie Vasquez||Executive Creative Director|
|Susan Shen||Graphic Designer|
Optimus is a leading integrated production company with offices in Chicago and Santa Monica. A singular, streamlined creative-driven machine, Optimus offers all production services - production, editing, color correction, visual effects and design, audio mixing and finishing - under one roof. For more information, please visit www.optimus.com. Connect with us at www.facebook.com/Optimus161.